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<div style="font-family:Calibri,sans-serif; font-size:11pt">It always surprised me that the theme credit was always absent from the end credit run. I would imagine Granada must've received queries at the time of original broadcast.<br>
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Richard has provided details on his excellent site though. I see it was recorded in 1949. It clearly originates on tape rather than 78rpm record, so uncertain if it was ever commercially released. If I'm wrong please correct me!<br>
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I see a 1967 recording does exist however. Again conducted by Sir Adrian Boult but performed by the New Philharmonic Orchestra. Issued on CD in 1986, presumably on vinyl before that. Don't know how it compares to the original recording however. Presumably it'll
be a stereo rendition.<br>
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Brian <br>
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Sent from my Windows Phone</div>
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<span style="font-family:Calibri,sans-serif; font-size:11pt; font-weight:bold">From:
</span><span style="font-family:Calibri,sans-serif; font-size:11pt"><a href="mailto:afamilyatwar-list@baylor.edu">Tim Douglas via Afamilyatwar-list</a></span><br>
<span style="font-family:Calibri,sans-serif; font-size:11pt; font-weight:bold">Sent:
</span><span style="font-family:Calibri,sans-serif; font-size:11pt">ý01/ý05/ý2018 01:20</span><br>
<span style="font-family:Calibri,sans-serif; font-size:11pt; font-weight:bold">To:
</span><span style="font-family:Calibri,sans-serif; font-size:11pt"><a href="mailto:afamilyatwar-list@baylor.edu">afamilyatwar-list@baylor.edu</a>;
<a href="mailto:scottfilderman@yahoo.com">scottfilderman@yahoo.com</a>; <a href="mailto:lobsanghoskins@yahoo.com">
lobsanghoskins@yahoo.com</a></span><br>
<span style="font-family:Calibri,sans-serif; font-size:11pt; font-weight:bold">Subject:
</span><span style="font-family:Calibri,sans-serif; font-size:11pt">Re: [Afamilyatwar-list] Random queries</span><br>
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and there may also be separate copyrights which require payment in the arrangement , and the performance <br>
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-----Original Message-----<br>
From: Scott Filderman via Afamilyatwar-list <afamilyatwar-list@baylor.edu><br>
To: afamilyatwar-list <afamilyatwar-list@baylor.edu>; William Murphy <lobsanghoskins@yahoo.com><br>
Sent: Tue, 1 May 2018 0:55<br>
Subject: Re: [Afamilyatwar-list] Random queries<br>
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<div class="aolReplacedBody">Now that I think of it, all the composers (Khachaturian, Mahler, Vaughan Williams, Walton, Prokofiev, etc) used on the Onedin Line are quite recent with respect to transmission time, so, given copyright law, they were still under
copyright (as opposed, I suppose, to Beethoven or Schubert). I didn’t think that through. Many of these composers’ works cannot be downloaded for that very reason. Faulty thinking on my part! Blimey!!<br>
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On Monday, April 30, 2018, 7:47 PM, Scott Filderman <<a href="mailto:scottfilderman@yahoo.com">scottfilderman@yahoo.com</a>> wrote:</p>
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<div>Thank you for that clarification! The music selected is always wonderful and appropriate! I apologize for my rigorous ignorance!<br clear="none">
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On Monday, April 30, 2018, 7:43 PM, William Murphy via Afamilyatwar-list <afamilyatwar-<a href="mailto:list@baylor.edu">list@baylor.edu</a>> wrote:</p>
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<div id="aolmail_yiv8056453352yui_3_16_0_ym19_1_1525131531064_12082">Two points. One: the producers didn't make the choices of music for the Onedin Line -
<i>I</i> did, at least for the last two series (check my credit!). Two: far from being public domain, the music cost a fortune in copyright and mechanical clearances. It would not have cost much more to commission original music.</div>
<div id="aolmail_yiv8056453352yui_3_16_0_ym19_1_1525131531064_12096"><br clear="none">
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<div>Bill (Scanlan) Murphy<br clear="none">
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<b id="aolmail_yiv8056453352yui_3_16_0_ym19_1_1525131531064_12034"><span id="aolmail_yiv8056453352yui_3_16_0_ym19_1_1525131531064_12033" style="font-weight:bold">From:</span></b> Tim Douglas via Afamilyatwar-list <afamilyatwar-<a href="mailto:list@baylor.edu">list@baylor.edu</a>><br clear="none">
<b id="aolmail_yiv8056453352yui_3_16_0_ym19_1_1525131531064_12032"><span id="aolmail_yiv8056453352yui_3_16_0_ym19_1_1525131531064_12031" style="font-weight:bold">To:</span></b> afamilyatwar-<a href="mailto:list@baylor.edu">list@baylor.edu</a>;
<a href="mailto:scottfilderman@yahoo.com">scottfilderman@yahoo.com</a> <br clear="none">
<b id="aolmail_yiv8056453352yui_3_16_0_ym19_1_1525131531064_12026"><span id="aolmail_yiv8056453352yui_3_16_0_ym19_1_1525131531064_12025" style="font-weight:bold">Sent:</span></b> Monday, April 30, 2018 12:45 PM<br clear="none">
<b><span style="font-weight:bold">Subject:</span></b> Re: [Afamilyatwar-list] Random queries<br clear="none">
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Why do you assume these pieces of music are" public domain" Scott ?Do you mean by in the " public domain", out of copyright ?<br clear="none">
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-----Original Message-----<br clear="none">
From: Scott Filderman via Afamilyatwar-list <afamilyatwar-<a href="mailto:list@baylor.edu">list@baylor.edu</a>><br clear="none">
To: Scott Filderman via Afamilyatwar-list <afamilyatwar-<a href="mailto:list@baylor.edu">list@baylor.edu</a>><br clear="none">
Sent: Mon, 30 Apr 2018 16:31<br clear="none">
Subject: [Afamilyatwar-list] Random queries<br clear="none">
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<div class="aolmail_yiv8056453352aolReplacedBody">Do executive producers tend to choose music used on a series. Apparently, Richard Doubleday came up with the inspired notion to use that bit of Vaughan Williams as the theme music for AFAW. The producers for
The Onedin Line certainly made wonderful choice of (cheap public domain) selections of classical music: Mahler’s First and Seventh symphonies accompany sea activities, and Prokofiev’s Romeo and Juliet suggest more than is happening in the early
<div>scenes of Series Three of The Onedin Line. Gor bless a pooblic domain!<br clear="none">
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