[Afamilyatwar-list] Cast Changes

[Scott Filderman]

Thank you!
Your dramatic values are so valid that I was hoping you were the driving force behind the changes. Who would choose to leave such providential work? I’m currently seeing the first episodes of Sam, Series Three, dealing with George’s death. OK, Ray Smith chose to depart. More fool, him!
I’m fascinated to see a VERY young Jan Harvey, a decade before she went on to star in Howard’s Way.
You got the cream of British talent long before their egos and prices became untenable (well, John Nettles appears to be the exception, as there’s always one).
Godard got many actors long before they became “stars,” and of course he contributed to their resumes.
Well done! Full marks!!



On Thursday, July 19, 2018, 1:45 PM, john at johnfinch.com wrote:

On 19.07.2018 15:25, Scott Filderman via Afamilyatwar-list wrote:
> Given the enviable amount of authority John Finch developed at
> Granada, I ask the following question:
> 
> When actors depart a series (e.g., Ray Smith or Mona Bruce in Sam or
> Shelagh Delaney in AFAW), is it because the writer (with unusual
> influence, in Mr. Finch’s case) decides it is dramatically
> appropriate OR did the actors decide it was time to move on, and Mr.
> Finch accommodated them. Of course, it’s routinely a combination of
> both. As John’s production families seemed (and I do emphasize
> “seemed”) to be happy campers, I wonder which factor tended to be
> operative—“You go because your usefulness will increase by your
> absence!” or “Damn, Shelagh wants to go be in Star Wars! I need to
> kill her character!”
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Varies.  Mostly dramatically appropriate.  Ray Smith asked to leave as 
he was afraid of becoming typecast.  We would gladly have kept 
him.Shelagh Fraser's departure was dramatically appropriate, as were 
most of the departures.  There were casting errors, but they were few.  
  JF



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